Sequel to 1978 horror classic isn’t scary — plus lots of holes in plot.
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Redford’s final film is pleasant and warm-hearted — just like him.
Neil Armstrong biopic is strong, but lessens importance of achievement.
Promising first act can’t save story of French ghost writer from tedium.
Lady Gaga & Bradley Cooper are dynamite together in latest version.
Biopic of drunken country music singer/songwriter is one of year’s worst.
Moore’s latest is his most depressing — yet he offers glimmer of hope.
Kristen Stewart shines in otherwise slow-moving retelling of axe murders.
Original screenplay is one of this year’s most sweeping and original.
Dreamlike coming-of-age story of brotherhood is sometimes heartbreaking